Music review: BBC SSO, City Halls, Glasgow
BBC SSO, City Halls, Glasgow ****
This was one of principal conductor Thomas Dausgaard’s stimulating Composer Roots programmes, establishing Bernstein’s debts to Copland and Gershwin and his very obvious influence on such American successors as Augusta Read Thomas.
There was a palpable start-of-term freshness to the opening half. Dausgaard seemed to stand back from the burnished brass and welter of percussion, allowing Copland’s Fanfare for the Common Man to generate its own spine-tingling energy. The bullish swagger of Gershwin’s Rhapsody in Blue bore similar self-generating momentum, much in response to pianist Marc-André Hamelin’s hard-nosed definition.
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Hide AdThomas’ Brio certainly owes everything to Bernstein, from its West Side Story rhythms and timbres to its irreverent street rhetoric. There were rocky moments in an otherwise high-voltage performance.
Then the Bernstein, alluringly thuggish and eclectic, in which the solo singers – Tracy Cantin, Kelley O’Connor, Michèle Losier, Paul Appleby, Nmon Ford and Musa Ngqungwana – visibly revelled in the music’s theatrical flamboyance. Couldn’t hear the words, though. Surtitles would have helped.
KEN WALTON